Philippe Cathé, Noise and music in the race of the Podracers in Star Wars, 1st episode, The Fantom Menace, 1999

What is considered "music" in a movie always is restricted to the sounds played by an orchestra. Experimentally, this article invites listening to the movie soundtrack as a whole with the same keenness of hearing — and the same tools — as to an electroacoustic or compound music, to identify both its technical and formal characteristics, and to point out the relations between noise and music, considered as non-exclusive categories.